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The Melodic Improvisation Series
Chapter 3

Connecting Chord Tones with Passing Notes

In this lesson, Javier introduces the concept of using scalar ideas—also known as passing notes—to bridge between chord tones.

He works with a progression in C major: Cmaj7, Dm7, and G7. The improvisation uses the full C major scale, but always pays attention to landing on the right chord tones within each bar.

Javier uses the Genius Jamtracks app to build a four-bar backing track in a Bossa Nova feel, alternating between swing phrasing and straight eighths.

He encourages players to think melodically, incorporating silence, repetition, and careful voice leading while treating passing notes as transitions rather than targets.

For accompaniment, he selects 'Rootless Voicings', a style inspired by Bill Evans, giving the harmony a richer, more colorful tone.

The goal is not to avoid mistakes, but to embrace them as part of the creative process. Every missed note is a chance to shape your voice and try again.

This practice builds your awareness of inner hearing and helps shape your phrasing into something expressive and intentional.

Takeaway: Use scalar motion to create melodic continuity, but always keep chord tones in focus. Repetition, silence, and freedom in rhythm will give your ideas space and shape.