In this lesson, Javier Constenla explores how chromaticism can enrich minor key improvisation. Building on the concepts of chord tones and passing notes, he now incorporates chromatic approaches to connect and color phrases.
Using a progression in D minor, Javier demonstrates how the natural and harmonic minor scales offer different expressive possibilities. He uses Genius Jamtracks to create two contrasting playalong templates: one in swing and one in bossa nova.
Chromatic notes are used with care — not randomly, but to target chord tones. These movements add harmonic tension and a sense of direction to your lines. Javier encourages playing at a slower tempo, giving time for your ears and hands to integrate the added complexity.
He uses spread voicings in the app, which help open up the harmonic texture. These allow for more melodic space, letting your chromatic lines breathe and resolve clearly.
This lesson also revisits the concept of repetition and silence. Even with chromaticism, clear phrasing and breathing room are essential. As you improvise, Javier suggests thinking melodically, not mechanically — the chromatic note is not the goal, it’s the pathway.
As always, the ability to transcribe and recognize what you hear — both from external examples and your internal musical ideas — is what anchors real growth.
This is about building not just vocabulary, but judgment: knowing when to add color, and when to stay grounded.
Takeaway: Chromaticism in minor keys lets you color your melodic lines with tension and resolution. Use natural and harmonic minor scales, connect chord tones with chromatic motion, and develop your control through slower tempos and deep listening.